PinnedCamille CuzzupoliThe Passion of the Christ: Abandon Hope All Ye Who Enter HereA semi-lapsed Christian perspective on the failings of a very controversial film, and a eulogy for the film it could have been.May 19, 2021May 19, 2021
Camille CuzzupoliThe Bloody Utopia of John Deserves to Die at Fresh Ink Theatre“Mamet does not speak for me.” Jen Barnett and Laura Vogel, John Deserves to Die, Scene 1.May 11, 2023May 11, 2023
Camille CuzzupoliPhantom of the Opera Closed and I’m Way Too Emotional About ItThanking Erik for his service.Apr 22, 20231Apr 22, 20231
Camille CuzzupoliPoetship in Actors’ Shakespeare Project’s Seven GuitarsPoetship (po· et· ship, ˈpōə̇tˌship): the state or function of a poetMar 12, 2023Mar 12, 2023
Camille CuzzupoliFarewell to the Rock: A Eulogy for Come From AwayMeditating on how Broadway musical Come From Away reflects collective trauma, and tearfully saying goodbye.Aug 9, 2022Aug 9, 2022
Camille CuzzupoliHangmen or: How I Learned to Stop Worrying and Love Martin McDonaghHow one production made me go from cynic to fan.Jun 18, 2022Jun 18, 2022
Camille CuzzupoliCome(ing) Back, Be(ing) Here: Red (Taylor’s Version) and Growing UpAlternate title: the REDtrospective.Feb 13, 2022Feb 13, 2022
Camille CuzzupoliAn Open Letter to Bo BurnhamI saw Bo Burnham at the train station in June. This is the result.Oct 22, 2021Oct 22, 2021
Camille CuzzupoliTulips & Ballerinas (Or, The Power of the Word)An exploration of two very different artists and their two very different works, which share one thing in common: words.Jun 30, 2021Jun 30, 2021
